CGC Census: Grades For The 1960s

Continuing the thoughts of a previous post, let’s take a moment to focus on the 1960s. Comparing the CGC Census grades (cumulative percentages for Universal and Signature Series), we see a distinct difference between the decade and the most valuable comic book in the decade, Amazing Fantasy #15 (1962).

These differences are due to two major factors, first, that books submitted to CGC must (generally) be worth the cost of CGC grading, otherwise, there is no financial reason to submit a book to CGC. As a result, the books submitted to CGC from 1960-1969 have primarily been higher grade copies than average, since value increases as the condition increases. Secondly, the entire decade of the 1960s has been combined to create the 1960s line on the graphic, while Amazing Fantasy #15 represents only a single issue from the single year of 1962.

To remedy these differences, the graphic below represents each year of the 1960s separately, and shows additional comics besides Amazing Fantasy #15 from 1962.

CGC Submissions (Universal and Signature Series) for each year of the 1960s, with selected comics from the early 1960s.

This may be the first time that the consistency of CGC grade percentages has been isolated for major comics of the early 1960s. Because each of these comic books (Brave & The Bold #28, Amazing Fantasy #15, Incredible Hulk #1, and Amazing Spider-Man #1) is generally worth submitting to CGC in all possible grades, these books generally reflect the full populations for each book (percentage-wise), despite every copy not being CGC graded.

While every copy of a comic book is unlikely to be sent to CGC for grading, those comics which are valuable in all grades, including valuable for the difference between CGC 0.5 and CGC 1.0, will be reflected on the CGC Census as a better sample of the total population of comics for that year, or possibly, for several years in that range.

It should be surprising that the four books selected are so closely aligned in their CGC grade percentages, and that they are so far from the percentages of the years they represent. It is possible that these grades may be generally applicable for all comic books of this era, CGC graded or not, even for other comic books of the same age which may have little value.

CGC Submissions (Universal and Signature Series) for Early 1960s Key Issues – Brave & The Bold #28, Amazing Fantasy #15, Incredible Hulk #1, and Amazing Spider-Man #1

Apart from more CGC 8.0 Brave and the Bold #28 than what might be expected (perhaps due to regrading), is it possible that this general distribution could be applicable to all comics from the early 1960s?

Perhaps time will tell…

CGC Census: Grades by Decade

After nearly 20 years of CGC grading (2000-2019), it is possible to see the percentages of grades assigned to comic books broken out by the ages of the comics (decades).

Cumulative Percentage of CGC Submissions By Grade Per Comic Decade (Universal and Signature only)

The graphic above shows that the percentage of higher grades decrease as the comic books get older, as we would expect, however the graphic does not accurately represent all comic books in existence. For example, judging from the numbers shown, it could be assumed that 49% of comic books from the 1960s are CGC 8.0 or higher.

However, assuming that 49% of comic books from the 1960s are CGC 8.0 or higher is not even close to accurate. What the 49% represents is that 49% of comic books from the 1960s which have been graded by CGC have been 8.0 or higher. The key factor is that these books have been graded by CGC, that is, someone selected the books to be graded, prepared the books for grading, and paid the costs of grading. There are many comic books for which CGC grading is hard to justify, due to the costs of CGC grading.

While any comic book can be graded by CGC, it is hard to understand why someone might pay $27, not including the costs of shipping, to have CGC grade and encapsulate comics which do not sell for at least $27. Most comic books do not sell for $27, including comic books from the 1960s, due to the condition of the comic or the lack of demand in the marketplace.

In order to better understand the condition of comic books from the 1960s, it would make sense to evaluate the CGC grades for comic books where all copies (regardless of condition) are worth submitting to CGC for grading. This scenario is most likely to occur with the highest valued comic books, where the difference in prices between even a CGC 0.5 and a CGC 1.0 are higher than the cost of CGC grading. For those comic books, the percentages of each CGC grade are a better representation (sample) of all copies in existence, rather than just the comics that are “CGC-worthy”.

Comparison of Cumulative Percentage of CGC Submissions By Grade for the 1960s against Amazing Fantasy #15 (1962)

The difference is staggering. Rather than expecting 49% of comic books from the 1960s to be CGC 8.0 or higher, it can be seen that only 3% of copies of Amazing Fantasy #15 (1962) have been CGC 8.0 or higher. While we should not expect every comic book from the 1960s to have the same percentages, it is reasonable to expect that Marvel comics from 1962 would be quite similar to the grades for Amazing Fantasy #15, if all copies (regardless of condition) were submitted to CGC for grading. Rather than expect 8.0 to be the average condition for comics from the 1960s, it might be safer to expect to find half of all copies no better than 3.5 to 4.0.

While there is no way to know the percentages for each grade for every comic book in existence, we can get a better representation of what may be in existence by studying the CGC Census for comic books which are “CGC-worthy” (that is, justifiable of the CGC costs, regardless of condition) as the representative for comics of the same age with similar distributions and histories. Future articles on this website will examine other comics for which every copy is worthy of submitting to CGC, regardless of condition.

One thing to note: Because these are percentages, this entire article makes no mention or estimate for the actual number of each comic still in existence. This evaluation is reflecting the percentages of each grade, whether there are 100 or 1,000,000 copies.